Nerds!

As much as we probably all admit to being way too cool to ever be considered one – we all have a soft side for them.

But who are your favourite nerds?

While in real life – Bill Gates would probably rank right up there – on the small screen at least I’ve compiled my own list of personal favourites. . . . so without fanfare (and in no particular order) my Top 10 nerds from TV are:

Gilligan (from Gillgans Island)

Milhouse (from The Simpsons)

Fez (from The 70’s Show)

Monk (from Monk)

Pottsie (from Happy Days)

Cliff Claven (from Cheers)

Arnold Horshack (from Welcome Back Kotter)

Gomer Pile (from Gomer Pile USMC)

Brains (from The Thunderbirds)

Hiro (from Heroes)

Would love to hear yours.

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60’s and 70’s television culture – does it get any better?

Let’s face it – cheese sells. How else do you account for season after season of The Munsters – or Lost in Space.

How in today’s currency could you even contemplate running series after series of The Brady Bunch or put up with the escapades of McHales Navy or Hogan’s Heroes?

No – we’re talking classic television with a capital C. From The Addams Family to the Partridge Family – there’s little doubt that we’re smitten with a heady mix of both pop culture and nostalgia. Who could forget (or forgive Sally Field for her exuburence in) Gidget or The Flying Nun.

Will we ever get over such truly memorable television series as My Three Sons, Leave It to Beaver or Pettycoat Junction? And don’t forget the 70’s – CHiP’s with Ponch and John, Happy Days with Richie, Fonzie and the Gang, Laverne and Shirley or that stomping ground of the stars – Welcome Back Kotter, complete with one – John Travolta as Vinnie Barbarino.

Perhaps Julia or Room 222 was more your go or perhaps you’ve a soft spot for young Buffy and Jody or their sibling “Sissy” in the highly inappropriate and politically incorrectly titled – A Family Affair.

Long and short of it is that these days you can go to almost any video store and hire the boxed set of Dukes of Hazard, I Dream of Jeanie or Lost In Space and not feel the worse for taking it home and indulging in a little ME time

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“Rock ‘n roll’s been going downhill ever since Buddy Holly died.”

Hardly the definitive piece of historic movie dialogue but  . . .  salient in it’s context none-the-less.

. . . Happy Days, Grease, Sha-na-na, Laverne and Shirley, Back to The Future Part 1 . . .  there’s little doubt that for the latter part of the 70’s, we were collectively captivated with the romance of the 1950’s.

Strangely enough though – it was a movie set in the 60’s which is uniformly acknowledged as the catalyst for the fervour which swept up most of English speaking world.

Click Here to Watch Trailer

American Graffiti – starring a young Richard Dreyfuss, Ron Howard, Cindy Williams, Mackenzie Phillips, Suzanne Sommers Harrison Ford, Joe Spano and Charles Martin Smith – to name just a few – recreated the feel, landscape, and sounds of early 60s, in small-town America – an historical time period (of JFK’s Presidency and the New Frontier before the jarring assassination of late 1963).

Advertising posters and theatrical trailers for the film asked: “Where were you in ‘62? . . . yet strangely enough the film (by Star Wars director – George Lucas – is credited with birthing the 50’s TV and film phenonomen.

Admittedly there were over 300 pre-1962 cars used in the 1973 film and the soundtrack featured an absolute fistful of songs harking back to the likes of Bill Haley and Comets with Rock Around the Clock, Johnny B. Goode by Chuck Berry and the Buddy Holly classic – That’ll be The Day.

But perhaps a less tangible (but very real) reason behind the film’s success (which was produced in just 28 days) is the measurable feel for a seemingly more innocent time – when cool music, hot cars, tough guys and cute chicks were the order of the day.

Of course this wasn’t lost on film and television producers either – and with the 60’s a little too reviled (and recent) in people’s minds – then the 50’s backdrop proved the perfect formula.

And so the era was re-birthed – Hollywood style.

It goes without saying that many of the film’s stars went on to receiving regular pay cheques, appearing in hit TV sitcoms such as Happy Days, Laverne and Shirley, One Day at a Time, Three’s Company and Hill Street Blues.

And although the film was nominated for five Academy Awards including Best Picture, Best Supporting Actress, Best Director, Best Original Screenplay, and Best Film Editing, it came away empty-handed.

In the words of Fats Domino – Ain’t That A Shame.

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Damn – that’s a tough one!

Conversation turned to this at a party held in the confines of the Doctor’s palatial residence recently – and the jury was still out 2 hours after the topic was raised.

Jimmy Hendrix vs Elton John, The Beatles v the Bee Gees, the Moon Landing vs Star Wars – the lists were endless – or seemingly at least.

The 70’s was afterall a time when Grease was the Word that We Heard, and The Jackson 5 taught us that learning the ABC was as easy as 1-2-3 and flares were either something you wore . . . a distress signal . . . or both.

It was a time when The Fonz was cool, the girls from ABBA were hot and protest marches were on the boil.

We had mood rings and sea monkeys, platforms and pet rocks, safari suits and slinkies Rubiks Cube and Rod Stewart.

We had Rocky, the Brady Bunch and CHiPs and a Million Dollar Man.

We saw Travolta dazzle and Nixon frazzle and we paid homage to a raft of new Hollywood Queens – yet publicity mourned the loss of the one and only King.

So welcome to the 70’s – where Stayin’ Alive was a credo – not a survival technique.

Of course the 60 saw indiginous Australians win the vote – and Americans lose a president.

 . . . when a band of 4 cheeky Monkees were telling us they were Believers

. . . and 4 foreign Beatles were wanting to Hold our Hand

Where Woodstock and the Flintstones both rocked

. . .  and hippies were simply chose to get stoned.

It was time when knee-high boots and Mini Skirts were in – and Vietnam resulted in our troops being shipped out, where The Sound of Music and My Fair Lady waxed lyrical and the Beach Boys waxed surfboards.

It was an era of hope and the Age of Aquarius . . .

So which was cooler?

I’m still getting splinters from sitting on the fence.

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Meet George Jetson! His son Elroy . . .

The celluloid and cartoon world is filled with characters from the future.

Marvin The Martian, George Jetson, Luke Skywalker, James T.Kirk, Mork from Ork, Buck Rogers, The Great Kazoo – the list goes on and on and well, on . . .

Throw in your pseudo time travllers from hits such as Back to The Future or The Time Tunnel and there’s a feast of characters – from which I’m sure there’s one you could nominate as an all time fav.

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Stranded at the Drive-In . . .
“Branded a Fool . . .
“What will they say . . .
“Monday at School . . . “

Ahhhhh – the heartfelt tome of one John Travolta – who, as part of the Grease phenomenon, serenaded his beloved Sandy in a scene which featured one of the most recognizable icons of the twentieth century – the Drive-In Theatre – which now – sadly, is virtually extinct.

For those of us old enough to remember – the Drive-In was full of nostalgia and childhood memories.
 
Pyjama clad kids packed in the back of the car – mum and dad in the front trying to quell the excitement of a ‘big night’ out as the squeals of four, five and six year-olds reverberated around the cabin of the old EH.

Queuing for sometimes up to an hour as hundreds of other like-minded pilgrims made their way to the local movie mecca – some having to be turned away as the ‘field of dreams’ strained to house the masses.

The hooking up single cone blue and white metal speakers, the obligatory blasts of horns, flashes of headlights on the screen and of course parked somewhere down the back – the tell tale sign of fervently enthusiastic but sexually bumbling teens – complete with fogged windows.

Yes – the Drive-In was a doyen of discovery – where you could eat, drink and be merry in the comfort of your pride and joy – alas – those days are coming close to being folklore.

As recently as 25 years ago – there were over 300 Drive-Ins in Australia – today only 20 survive!

Sure – there are sanitized multi-cinema megaplexes – the advent of the VCR, DVD and home threatre systems – and a plausible argument for more constructive use of 12 hectares of land (particularly if you’re a developer) – but hey – isn’t it time that those of us weary of rampant commercialism make a stand and look to save the last of this dying breed?

We will probably never again see the proliferation of outdoor theatres contributing to a large percentage of box-office revenue, but ‘re-invented’ they could well entertain a new breed of patron and survive a commercial and cinematic flat-line – it’s all part of the bigger picture you know!

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The Monkees were the quinessential ‘manufacturerd’ pop quartet, assembled in LA during the mid 60’s – purportedly to combat the scourge of the British invasion by bands such as The Beatles.

Marketed to the pre-teen and teen audience – the group is probably best known for its hit TV series – known (strangley enough) as The Monkees.

 Featuring Americans Mickey Dolena, Michael Nesmith, Peter Tork and Englishman, Davy Jones – the group’s rise to stardom came about when two spiring filmmakersBob Rafelson and Bert Schneider  – having been besotted by the Beatles film A Hard Days Night – decided to develop a television series about a fictional rock ‘n’ roll group.

While both Nesmith, a guitarist, and Tork, who could play several instruments were legitimate musicians – Dolenz was in essence an actor (having starred on early TV programs such Circus Boy) and Jones and actor and sometimes session singer.

Spending up to 12-hour days on the set, before being called in to the recording studio to cut vocal tracks, the Monkees were essentially the creation of the recording studio, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of hit after manufactuered hit – with collaborative writers including Neil Sedaka and Carol Bayer Segar.

With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees’ act constituted a classicpower trio of electric guitar, electric bass, and drums.

Critics of the Monkees observed that they were simply the “prefab four”, a made-for-TV knockoff of The Beatles but the Beatles took it in stride, and made the Monkees welcome when they visited England. John Lennon publicly compared the Monkees’ humor to The Marx Brothers, George Harrison praised their self-produced musical attempts, saying “When they get it all sorted out, they might turn out to be the best” (Peter Tork was later one of the musicians on Harrison’s Wonderwall Music playing Paul McCartney’s five-string banjo.

The Monkees had several international hits which are still heard on pop and oldies stations. These include I’m A Believer, Daydream Believer, Last Train to Clarksville and Pleasant Valley Sunday along with their signature theme tune from the TV series.

 Despite their seemingly permanent reputation as a made-for-TV act, their hits and many lesser recordings present an enduring quality that has earned respect over the years.

Click Here To Hear The Monkees on YouTube

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With no offence to his owner – Charlie Brown – it’s a fair bet that amidst the multitude of Peanuts characters created by Charles Schultz – Snoopy is probably the legendary comic strip’s most famous and beloved.

The ubiquitous beagle – who despite being able to walk on two legs can only communicate his thoughts through thought speech balloons not only encapsulates the essence of the late 60’s but also spawned his own sub-genre family.

With Joe Cool (aka Snoopy’s sunglass wearing alter ego), the WWI Flying Ace –(another alter ego of the pretentious pooch), plus his brothers Andy, Marbles, Spike, Olaf and sister Belle and of course the ever present Woodstock.

Most of us would be well aware of Snoopy’s signature tune – and his presence in many of the television specials signalled almost a story-line within a story-line as we found temporary escapism in his escapism – either atop his kennel battling his nemesis the Red Baron or otherwise engaged in other heroic or grandiose feats.

Constantly trying to read (be it one word at a time) the novel War and Peace – Snoopy Trivia is almost a business in itself with gems such as:

Which alter ego duelled Lucy at wrist wrestling ?

How do most of Snoopy’s novels start?

What plane does Snoopy fly in pursuit of the Red Baron?

            So how did our hero manage to find not only fame but favour?

What was it that endeared him to millions?

Why is it that to this day, sales of Snoopy merchandise outstrip all the Peanuts characters combined?

            Sometimes I guess it’s not what you do – but how you do it – and doesn’t he do it well.

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“Space: the final frontier. These are the voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations — to boldly go where no man has gone before.”

This is where it all began. The Original Star Trek Series running roughly from 1966 through 1969, for a total of three seasons and 78 episodes – but my how we’ve grown.

The show was only a minor hit and was threatened with cancellation after its second year, but a strong letter-writing campaign from fans convinced the network to keep the show.

But with even less spectacular ratings Star Trek was terminated with little hope of any future. 

Or so they thought!

Fortunately, after three years enough episodes were produced that the show could enter syndication, and it was in the after-school market during the early 1970’s that the show found its audience.

Fan conventions sprang up, merchandising blossomed, an animated series with the original cast was produced, and it became apparent that Star Trek was a force that would refuse to die.

Today, the franchise first conceived by Gene Roddenberry over 40 years ago has spawned four more television series, 10 theatrical movies, hundreds of books and magazines, and innumerable Internet fan sites.

So – open the pandora’s box  . . . who is your favourite Star Trek character?

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Last night, while getting my daily dose the Simpson’s – I found my mind wandering at right angles to the rest of the family – before proudly announcing that despite his bumbling nature – Homer was right up there with other TV dads as far as affording us advice about life.

From Mike Brady with his groovy clothes and fortune cookie advice to Howard Cunningham of Happy Days fame – everybody loves TV dads.

After all don’t we all wish we could solve our kids’ problems in 30 minutes or less?

A prerequisite of course is wisdom and sage advice.

From Don Porter who played Sally Field’s father in Gidget to Fred Gwynne as Herman Munster, Brian Keith in “A Family Affair” to Fred McMurray in “My 3 Sons” – TV dads (in the most part) have taught us that with a positive attitude anything is possible.

It wasn’t until I started to think about just how many TV dads there were – that the notion of a “Best Of” almost became too much.

Enter – Charles Ingalls from Little House on the Prairie, Tony Soprano from “The Soprano’s”  Andy Taylor from The Andy Griffith Show, Ward Cleaver from “Leave It to Beaver”, Jed Clampett from “The Beverly Hillbillies”, Ben Cartwright (Bonanza), Tim Taylor (Home Improvement), Gomez Addams (The Addams Family), George Jetson (The Jetsons) – the list goes on and on and on.

So just who is the best TV dad of all time?

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